Oct. 31st, 2016

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I spend a fair amount of time teaching women to kick men in the balls, and I’ve learned that this activity tends to generate controversy. Here, according to actual adults who have actually said these things to me, are some reasons you should not kick a guy in the balls:

1. It will make him angry.

I should hope so. I’m not sending him a friend request. If I kick him hard enough, there’s a good chance I’ll render him unable to act upon his anger. That’s my goal. His feelings are his problem.

2. It will make him hurt you worse.

Statistics say otherwise. And anyway, he’s already demonstrated his desire to hurt me. Why should I give him carte blanche to decide how much he’s going to hurt me? I’d rather be an active participant in that decision-making process.

3. Groin kicks aren’t really that devastating; I’ve seen lots of guys get hit in the balls and it hardly fazed them.

This response (almost universally from men) is so common I’ve come to think of it as “groinsplaining”—you can see it many of the YouTube comments in the videos linked above. These people rarely volunteer to demonstrate their own iron balls in a real kicking situation, but they confidently assert that men in general can shrug off all kinds of damage to the groin. All I can say is, I’ve seen two-year-olds take down grown men via the groin, and toddlers don’t even have any training. I do. I like my odds.

4. We shouldn’t be teaching people how to kick men in the balls; we should be teaching men not to do anything that would make us have to kick them in the balls.

Hey, that’s a great idea! Do you have a detailed, research-based plan for teaching all men everywhere to behave themselves all the time? And do you have funding for your efforts, and buy-in from politicians and community leaders, and a network of trained, experienced instructors who can effect this change? If not, better get started on your grant proposal. In the meantime, I’ll just be over here teaching people how to kick guys in the balls. That’s what I do.

5. Telling people they should kick an assailant in the balls is the same as telling victims who didn’t kick their assailant in the balls that they did something wrong.

No, it isn’t. It’s a practical way to reduce the number of future victims by giving them more viable options to disrupt and survive an assault.

Fact: We have the power to damage the bodies of men who try to hurt us. You’re saying we shouldn’t let people use that power. I’m offering people more choices; you’re trying to take them away.

6. Kicking a guy in the balls just makes the world a more violent place.

Maybe, in the short term. But if it stops him from killing someone, or putting them in the hospital, isn’t that a net win for non-violence? The Dalai Lama thinks so.

One in four women will have good reason to kick a guy in the balls at some point in her life. Luckily, it’s not rocket science. Anyone can do it! And ball-kicking’s efficacy is beyond dispute, as the men of MMA so nobly helped us illustrate here. Gentlemen, if any of you are reading this, and conscious: Cheers, and get well soon (the non-wife-beaters among you, anyway).

AIA REPORTING FOR DUTY

okay, so!

There is a trick to it. You do NOT want to soccer kick the dude because that’s a little projectile aiming at a littler target.

It’ll do in a pinch, and it’ll hurt, but it won’t incapacitate, which is what you want. You don’t want “ouch!” Or even “FUCK!”

You want him puking on the floor, and this is how we do:

There’s two ranges where a groin kick works: close and mid-range.

Say someone grabs you face to face, or pins you to the wall, and your hands are blocked.
Now you’re close-range. What do you do?
You come in closer, as close as you can, and with every ounce of adrenaline and aggression in your body, you do a can-can kick.

You know the first step in the can-can, where you raise your knee up as high as it’ll go as strong as you can?

Do that, as hard as you can, repeatedly.

If that doesn’t work, here’s the alternative. You’re going to take your hand, grasp between the thighs underhand. Its going to feel like you’re “cradling” the testicles. Dig your fingertips into the fragile skin BEHIND the scrotum. Then, once you have a good grip, you turn your hand into a vise, with your fingers digging inwards to the material. If you do it right, you should feel the testes INSIDE the scrotum. You want, whenever possible, to hook your fingers under them.

Then, with your hands in a claw and your fingertips latched behind the testes, you turn your hand sharply, as though you were turning a doorknob. Simultaneously, haul your elbow back and up as hard as you can.

If done properly, this technique can tear the scrotal tissue, and done with enough force, can tear the testes out of your attacker’s body.

No matter HOW pissed he is, he’s gonna drop. I’ve tried this technique on guys wearing cups and even with protection, it is not a fun feeling.

If you’re mid-range and have enough room for a kick, the goal becomes to use your shin.
The shin is actually called the tibia, which ounce for ounce is one of the strongest bones in your body. So, here’s what you do, my little bloodthirsty beaus:

You aim, you scream “DO NOT COME CLOSER I SAID NO!” (legal purposes, because now you’re officially exercising your right to self-defence). Maintain a 360 degree awareness, just in case he has friends, and then, when he’s close enough, connect your shin full on soccer kick with the delicate squish of his testicles.

What you want is as much upwards force as possible in combination with as much momentum as you can manage. When he collapses, which he will, then stomp on his groin again, and then run.

The latter has less of a trick to it. It’s primarily about momentum and force.

Remember, if you’re close enough to put your hands on him, use your knee. If he’s coming at you, use your shin.

If you can smell the nachos he had for dinner, rip his fucking balls off.

It’s easy to do, they’re tiny little squishiness wrapped in a delicate flap of skin about as thin as a toenail.

Remember: if he’s coming at you, he’s ALREADY out to hurt you. Might as well give the fucker a reason to be pissed.

How to Kick a Guy in the Balls: An Illustrated Guide

Someone once told me that the way to train a proper knee in the groin (with appropriate aggression if you want to hurt him enough to let you go is to train and act as if you’re not aiming your knee at the groin, but aiming for somewhere much higher so that your mind knows to really ram your knee upward.

A male friend of a friend of the family once generously and kindly advised me that if anyone with nuts ever got up on me without me wanting him to do so, to “grab his balls as hard as you can, squeeze, and yank away from his body until they feel like marmalade. Then run.”
I have never forgotten this advice.

My self-defense trainer used to say: “Eyes are like grapes. Ears are like pull tabs. And if you’re going to grab some, girls - grab, pull, twist, and bring those balls home to mama.”
…I really need to embroider that on a cushion.

Reblogging for my women followers. Know how to protect yourself, okay?

Fun fact: we did a groin attack drill in krav recently, and one of the guys’ cup was secured improperly. When he got kneed he made a noise like someone dropped a bag of rotten tomatoes from a third floor balcony, and hit the ground retching.

A few of the guys snickered and called him a wimp, so our instructor decided EVERYONE was going to do the drill with no cup to see how little force it took to incapacitate an opponent.

I was paired with a friend of mine who looks like if the Rock and the Mountain Who Rides made a little Boulder Love Baby.
I apologized in advance, he said he was ready, and I flicked him in the nuts.

Flicked.

Not hit. Not tap. Not punched. Flicked. The same amount of force I’d use to maybe kill a mosquito, using the blade of my hand.

He went the colour of cement and nearly threw up on my shoulder.

It takes MINIMAL force to fuck a guy up. Now, if you’re grabbed from behind, snap your head back into his face and while he’s distracted you can either make a fist and strike back at the groin (arch your hips to the side for more room) or karate chop from the elbow.

He’s gonna be pissed–but he’s gonna be puking first, and that’s your opportunity to kick him in the kidney and run like the wind.

Mother Nature put mens balls on the outside as as a woman I will 100% use that to my advantage in a fight.

self-defense

I always reccomend using it as a one two punch. Groin strike, the go for the eyes, throat, twist/break fingers, or the opposite. Go for face/finger breaking/twisting, then groin, maybe even hit them in the groin twice, really devastate.
A lot of dudes will go down from groin strikes. But some might be on drugs, drunk, just incredibly hopped up on adrenaline/anger. So dont RELY on one groin strike. In self defense never rely on any ONE strike. Unless you been training martial arts for years. Always go for 2-3 good hits, and run.

FYI

SING

Solar Plexus - instep- nose- groin

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This.

a public service announcement

and i thought only bob ross knew what was up

this single post is more useful to me then four years of art school 

We did it in color study class on my college and it’s incredible the difference between using red/blue/yellow than cyan/magenta/yellow.The purple was colored like shit, so as the greens. Than we tried the actuall primary colors and it FELT SO GOOD!

I JUST TESTED IT IN MY ART PROGRAM AND HOLY SHIT 

IT WORKED REALLY WELL

On the left we have dissapoinment; on the right, love.

Then why do they teach us that RBY are primary colours in Pre-KG????

To mess with our heads….

Or because they think that cyan and magenta are too difficult for kids to learn? Lame either way

Reshare to save lives

Okay, no. No no no no no no no no NO.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Good day.

Also thatswhiskytoyou’s color mixing is bullshit because THIS:

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

I see, I see.

OH AND ONE MORE THING.

They didn’t teach you about red blue green and cmyk in pre-k because when most of us were in pre-k digital art was still in its early stages and what fucking seven year old knows how to use a printer.

GUESS WHO’S NOT FUCKING DONE YET:

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

Originally posted by treatpetite

Thanks, @the-ford-twin for saying what i was stammering aloud to myself when i began reading this. But there’s one more thing i think people should know about mixing pigments/paint!

I work at an art supply store and i constantly see people coming in to grab RGB paint or CMY paint and either way they still choose pigments that don’t play well together.  

Mixing paint is as much about chemistry as it is about light.

You can grab a “magenta” and a “yellow,” but if it’s a quinacridone magenta and a diarylide yellow, for example, it won’t make a true range of oranges.

There’s a reason that cadmium red and ultramarine blue don’t make violet; there’s a reason that cadmium red and phthalocyanine blue DO make violet.  It’s because you’re not mixing light, you’re mixing chemicals. 

Manufacturers will call their version of a standard paint by different names, even though it has the same pigment, or they will put mixed pigments in a tube and give it a name. If you want to be sure your paint is going to mix properly, check the pigment curriculum. For example, hansa yellow is 

PY 73, no matter who makes it. It should say so somewhere on the tube. When you were in school and the teacher was like “yellow and blue make green!” they were using paint from a manufacturer that was pre-selected for that effect, which is why it looked like they were right. If you’re serious about your art, here are some sets of mixing colors with their corresponding pigment number:quinacridone magenta (PR 122)hansa yellow (PY 73)phthalo blue - if there’s an option, choose “green shade” (PB 15:3)

cadmium red (PR 108)cadmium yellow (PY 35)phthalo blue (PB 15:3)alizarin crimson (these days this is probably a hue*, so no number)hansa yellow (PY 73)ultramarine blue (PB 29)TL;DR: Where color theory meets chemistry things get really complicated. Don’t make assumptions–do experiments! * A “hue” is a modern attempt to reproduce a classic pigment, one which is rare/impossible/impermanent/dangerous. Another term you’ll sometimes see is “permanent,” which means that the original pigment wasn’t lightfast (it would fade over time) and this reproduction has a much higher lightfastness rating. 

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The U.S. Supreme Court Monday takes up the case of a girl, her service dog, and a school that barred the dog from its premises.

Ehlena Fry was born with cerebral palsy, a condition that significantly limited her motor skills but not her cognitive ability. So when she was five, her pediatrician recommended that her parents get a service dog to help her become more independent. Family and friends threw fundraisers to scrape together the $13,000 needed for the right dog, and in 2009, Ehlena and her parents went to Ohio to train for two weeks with their new goldendoodle, a cuddly, big white pup named Wonder.

The Frys had talked to Ehlena’s school about the dog, but when Ehlena brought Wonder to class with her, she was told the service dog was not allowed.

A Girl And Her Service Dog Head To The Supreme Court

Photo: Courtesy of ACLU

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Happy Birthday, Michael Collins!

While humans have been dreaming of flight since the dawn of time, it wasn’t until the turn of the nineteenth century that the Wright brothers achieved that magical 59 second flight covering 852 feet, skimming over the beach not more than twenty feet off the ground. The new science of flight and aeronautics was born and after thousands of years of dreaming about flight, it only took another two and a half decades to coin the term astronaut (and the related cosmonaut) and set the bar higher for flight. A combination of two Ancient Greek words aster meaning star and nautes meaning a sailor, an astronaut was a sailor of stars.

More than that though, these early pioneers of both space and technology became heroes of popular imagination.  They inspired generations of young boys and girls into science and technology and the technology derived from the space program has enriched our everyday lives from breakfast foods to automobile safety.

Today is the birthday (born October 31, 1930) of astronaut Michael Collins, the ‘third’astronaut on the Apollo 11 mission.  In the forty plus years since Neil Armstrong and Buzz Aldrin became the first men to set foot on the moon, Michael Collin’s has been called the loneliest human alive as he waited in the capsule orbiting the lunar surface.  Quite the contrary, Collins says:

Far from feeling lonely or abandoned, I feel very much a part of what is taking place on the lunar surface. I know that I would be a liar or a fool if I said that I have the best of the three Apollo 11 seats, but I can say with truth and equanimity that I am perfectly satisfied with the one I have. This venture has been structured for three men, and I consider my third to be as necessary as either of the other two. I don’t mean to deny a feeling of solitude. It is there, reinforced by the fact that radio contact with the Earth abruptly cuts off at the instant I disappear behind the moon, I am alone now, truly alone, and absolutely isolated from any known life. I am it. If a count were taken, the score would be three billion plus two over on the other side of the moon, and one plus God knows what on this side.

Hats off to you Michael Collins!  Your quite courage and dignity on the mission in the 40+ years since speak volumes of your character.

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