Post From Tumblr Whovian Feminism
Dec. 31st, 2017 03:32 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
kyburgracheltalalay:
whovianfeminism:
Letting go is always the hardest part. And yet, letting go is how this show survives. We have to let go of Doctors and companions, TARDIS windows and sonic devices, and producers and showrunners to let new ones come in. It’s how Doctor Who has survived for 54 years. Change and go on, or die as we are, as the Doctor would say. But it doesn’t make saying goodbye any easier. “Twice Upon a Time” gave us an episode filled with both sadness and hope, a perfect balance between a heartfelt goodbye to Peter Capaldi and a generous welcome to Jodie Whittaker.
To prepare for this historic regeneration, we’re brought all the way back to another iconic regeneration – the very first one. After playing William Hartnell himself in An Adventure in Space and Time, David Bradley returns to Doctor Who to play the First Doctor in “Twice Upon A Time.” His portrayal of the First Doctor is incredibly well done, recreating the feel of Hartnell’s performance while also providing his own subtle interpretation of the role. In the unseen moments between the First Doctor’s escape from the Cyberman ship and his regeneration in the TARDIS, Steven Moffat slips in a story about how he, too, might have resisted regeneration.
Although it doesn’t quite break the fourth wall, I can’t recall an episode of Doctor Who that acknowledges quite as much as “Twice Upon a Time” that we are, in fact, watching a television show. The “Previously…” opener doesn’t just show us an abbreviated version of “The Tenth Planet,” it tells us that it took place 709 episodes ago. Black and white footage from “Tenth Planet” is show in its original, smaller dimensions before it beautifully transitions from Hartnell’s Doctor to Bradley’s Doctor, in color and in modern television dimensions.
There’s also a bit of a retrospective on the era and the actor which influenced the character of the First Doctor. Though this is a show about an alien time traveller, Doctor Who has always been a product of the people of its time, and has reflected their biases and prejudices. This was something that Steven Moffat was very aware of when writing his version of Hartnell’s Doctor. He told SFX magazine that the First Doctor reflected “old fashioned attitudes” in ways that stand out to modern audiences but were “normal and invisible” at the time. And instead of ignoring that, he tried to embrace it and confront it head on.
The first Doctor has several astounding moments that lay his sexism bare in “Twice Upon A Time,” several of which are grounded in comments and actions from previous stories. The First Doctor threatens to give Bill a “jolly good smacked bottom,” which is exactly what he threatened Susan with in “The Dalek Invasion of Earth” (a line which Hartnell may have improvised himself). And the First Doctor mentions to both the Twelfth Doctor and Bill about how he expects female companions to clean up the TARDIS and fetch him things. That moment is handled much better than a similar one from “The Five Doctors,” where the Fifth Doctor asks a very offended Tegan to “humor” the First Doctor when he makes a similar demand of her.
Although I understand and appreciate what Moffat was attempting to do, I have to admit that after the fourth or fifth sexist comment it began to feel overplayed. His point could have been made with just one or two lines. Eventually, they began to actively detract from my enjoyment of “Twice Upon a Time.” The last thing I wanted to hear in the episode introducing Jodie Whittaker was two men sniggering over how all women are made of glass, even if they were clearly in the wrong. Hartnell and the First Doctor were hardly progressive, and it’s perfectly reasonable to want to address that. But to have some of the worst moments of that era of Doctor Who thrown so frequently in your face was just exhausting.
And yet, I have to admit there might be a generational difference here. I later watched “Twice Upon a Time” with my mother, who’s just one year younger than Moffat, and she actually appreciated those moments. She grew up watching the same era of television as Moffat did, and remembered just how pervasive and accepted those sexist attitudes and comments were. These types of comments were already outrageously outdated and caricaturish by the time I was watching television in the 90s. But they were the background radiation of the media my mom consumed at a young age – a poison in the foundation of our current media that we are still, generations later, trying to clear out. She felt it was important to have those moments called out for what they were, instead of letting them be swept away and forgotten.
And she felt that those moments perhaps revealed the endemic bigotry that kept a woman Doctor from being able to come forward earlier. Is it really believable that an alien time traveller would believe it is appropriate to spank a grown woman or would be befuddled by lesbians? No. Is it also believable that an alien capable of totally changing their physical appearance has only ever appeared as a white man? No. But did we really need to belabor the point and escalate the problematic comments? From my perspective, no.
Between three Doctors and two regenerations, we hardly have any time for Bill Potts, who makes a re-appearance to help urge the Doctor towards regenerating. Although it’s always a delight to have Pearl Mackie back on our screens, Bill is unfortunately not much more than a plot device in “Twice Upon a Time.” She’s used as a tool by the Testimony to either manipulate or understand the Doctor. She asks the right questions so the Doctors can provide us with exposition. And she’s there to put in the emotional labor to convince the Twelfth Doctor that he should regenerate. Bill does have moments of charm but … that’s it. Moments. In the end, nothing much has changed since “The Doctor Falls.” She still lacks a satisfying story arc that is wholly her own, and exists almost entirely to further the Doctor’s arc. It makes me long even more for the next season of Doctor Who, where a woman will be the lead protagonist and a woman of color will be one of her companions, and it will be much harder to make their stories center around white male characters.
But for the time being, this is still Peter Capaldi’s story, and I cannot begrudge him the incredible ending that he so justly deserved. The man who was introduced as the Doctor while holding his lapels in an imitation of Hartnell ends his tenure by encouraging the First Doctor towards regeneration. The man who began by creating a “darker, less user-friendly” Doctor lands on his defining ethos: “Be kind.”
There is fear and sadness here, too. Regenerating isn’t dying, but it is an ending, and both of the Doctors are afraid of what comes next. The First is afraid of who he might become. The Twelfth is afraid that he might never leave the battlefield. But they still get another chance at life — which is why it is so very fitting to put them up against a British Army Captain from WWI, who is facing a very real and very final death. He was resigned to his death, until the Doctors accidentally gave him hope. Now he’s had time to think about everything he will lose, and he is afraid.
But kindness underlies everything. The Doctor pushes time forward to save a stranger’s life, relying on the simple and yet extraordinary kindness two armies showed each other in the middle of a brutal war. That selfless act of kindness gives the First Doctor the courage and conviction to regenerate. The Testimony allows the Twelfth Doctor to see his companions one last time and restores his memories of Clara Oswald, giving him peace. But it is one more call for help, one more act of kindness, that finally convinces the Twelfth Doctor he must regenerate.
His final triumphant speech epitomized the Twelfth Doctor, and the man who played him. Peter Capaldi will be remembered above all for being one of the kindest, most generous actors to ever pilot the TARDIS. He understands intimately what it is like to be a fan of the show, and what the Doctor means to so many. He was generous with his time and went the extra mile to show his appreciation. And he never, ever gave a condescending answer to children. His final lines about how children can hear the Doctor’s name came directly from his answer to a young fan at an episode screening.
I’ll admit that I have never before cried at a Doctor’s regeneration. During Capaldi’s, I sobbed. Bill was right — the hardest part of knowing the Doctor is letting him go.
Enormous credit has to be given to Rachel Talalay for creating such a gorgeous episode. I feel like I say that every time I review one of her episodes, and yet it has never been more true. She faced such a variety of challenges in this episode, from faithfully recreating scenes from the 1966 story “The Tenth Planet” to a grim and damp WW1 battlefield, from spaceships and glass ladies to explosions galore. And never is an opportunity wasted to turn what could be a simple scene into a work of art. When the two Doctors first meet at the South Pole, the scene is infused with the shifting, changing blues and greens of the Aurora Australis. When the Twelfth Doctor is considering whether or not to regenerate, the sky is filled with a fading golden light.
And never has a regeneration been quite as incredible as Jodie Whittaker’s. Most regenerations are efficient – one Doctor burns or fades (or sneezes) into the next, and he plunges straight into a new adventure. But Whittaker is revealed in a mix of intimate glimpses and long, slow shots. We see her lit from behind, standing amongst smoke and light. We see her stumbling to see her own reflection, our first glimpse of regeneration from the Doctor’s perspective. Each scene, beautiful on its own, builds up our anticipation until we finally get our first full reveal of the Thirteenth Doctor. It’s a regeneration that will be remembered as being truly iconic.
Steven Moffat may never have cast a woman to play the Doctor himself, but he has been laying the groundwork within the narrative of the show for a woman Doctor for a very long time. And in an episode that could’ve been focused solely on memorializing Capaldi and Moffat’s time on the show, they both instead provided an incredible generous welcome to Jodie Whittaker.
“Twice Upon a Time” is, above all, a story about letting go. The First Doctor believes it is courageous to simply live and die as himself, but it is later revealed to be fear — and perhaps vanity and selfishness too. The viewers know, from seeing all the Doctors who have followed, that he has so much left to do. There are so many adventures to be had, planets to be saved, and friends waiting to be known. Things can’t end with the First Doctor.
But it’s not just the Doctor who needs to hear this —it’s the viewers too. We all have favorite eras and favorite Doctors, and that’s okay. But some fans go even further to say that the show should have ended after their favorite time or Doctor, as if because they got no enjoyment out of what followed that it held no value for anyone else. To end the story now, to deny all those stories that are waiting to be told, is selfishness.
Some are just nervous or afraid about what comes next. And that’s okay. I won’t deny I’m nervous about what the future holds too. But “Twice Upon a Time” has a message for us too — this is a chance worth taking. We wouldn’t have Peter Capaldi if someone didn’t take a chance on Patrick Troughton, or all the men who followed him.
Jodie Whittaker is a chance worth taking.
The Doctor has to grow and change, or the show will die. This is a change that brings the character forward into a new and exciting direction. This opens up a whole new universe of stories, and gives another wonderful actor a chance to define the role. And it gives a whole new generation of young girls and boys a new hero to look up to.
In one beautifully delightful moment, we get a glimpse of Jodie Whittaker and the Doctor she might be. And I cannot wait to see where we go from here.
It is great to read something about how it’s okay to be worried and uncertain about where we are going but clearly reminds us that this is why the show has survived. Change, my dear…
I too am uncertain and excited and confident and scared. I will miss Peter forever and am thrilled about Jodie.
No one can write flawlessly for every episode in what is demanded of this show – to invent and reinvent itself every week and every year – as no one can satisfy every audience, but I applaud Steven Moffat for how much genius he did create, and how much he cared to continue to make it amazing. And I thank him for giving me incredible opportunities and words (and fixing my mistakes).
I often tell students: ‘what we do is hard’. No one sets out to make bad content. We make mistakes, we experiment, we fail and in amazing moments, we succeed.
Be excited. Be open. Be kind.
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whovianfeminism:
Letting go is always the hardest part. And yet, letting go is how this show survives. We have to let go of Doctors and companions, TARDIS windows and sonic devices, and producers and showrunners to let new ones come in. It’s how Doctor Who has survived for 54 years. Change and go on, or die as we are, as the Doctor would say. But it doesn’t make saying goodbye any easier. “Twice Upon a Time” gave us an episode filled with both sadness and hope, a perfect balance between a heartfelt goodbye to Peter Capaldi and a generous welcome to Jodie Whittaker.
To prepare for this historic regeneration, we’re brought all the way back to another iconic regeneration – the very first one. After playing William Hartnell himself in An Adventure in Space and Time, David Bradley returns to Doctor Who to play the First Doctor in “Twice Upon A Time.” His portrayal of the First Doctor is incredibly well done, recreating the feel of Hartnell’s performance while also providing his own subtle interpretation of the role. In the unseen moments between the First Doctor’s escape from the Cyberman ship and his regeneration in the TARDIS, Steven Moffat slips in a story about how he, too, might have resisted regeneration.
Although it doesn’t quite break the fourth wall, I can’t recall an episode of Doctor Who that acknowledges quite as much as “Twice Upon a Time” that we are, in fact, watching a television show. The “Previously…” opener doesn’t just show us an abbreviated version of “The Tenth Planet,” it tells us that it took place 709 episodes ago. Black and white footage from “Tenth Planet” is show in its original, smaller dimensions before it beautifully transitions from Hartnell’s Doctor to Bradley’s Doctor, in color and in modern television dimensions.
There’s also a bit of a retrospective on the era and the actor which influenced the character of the First Doctor. Though this is a show about an alien time traveller, Doctor Who has always been a product of the people of its time, and has reflected their biases and prejudices. This was something that Steven Moffat was very aware of when writing his version of Hartnell’s Doctor. He told SFX magazine that the First Doctor reflected “old fashioned attitudes” in ways that stand out to modern audiences but were “normal and invisible” at the time. And instead of ignoring that, he tried to embrace it and confront it head on.
The first Doctor has several astounding moments that lay his sexism bare in “Twice Upon A Time,” several of which are grounded in comments and actions from previous stories. The First Doctor threatens to give Bill a “jolly good smacked bottom,” which is exactly what he threatened Susan with in “The Dalek Invasion of Earth” (a line which Hartnell may have improvised himself). And the First Doctor mentions to both the Twelfth Doctor and Bill about how he expects female companions to clean up the TARDIS and fetch him things. That moment is handled much better than a similar one from “The Five Doctors,” where the Fifth Doctor asks a very offended Tegan to “humor” the First Doctor when he makes a similar demand of her.
Although I understand and appreciate what Moffat was attempting to do, I have to admit that after the fourth or fifth sexist comment it began to feel overplayed. His point could have been made with just one or two lines. Eventually, they began to actively detract from my enjoyment of “Twice Upon a Time.” The last thing I wanted to hear in the episode introducing Jodie Whittaker was two men sniggering over how all women are made of glass, even if they were clearly in the wrong. Hartnell and the First Doctor were hardly progressive, and it’s perfectly reasonable to want to address that. But to have some of the worst moments of that era of Doctor Who thrown so frequently in your face was just exhausting.
And yet, I have to admit there might be a generational difference here. I later watched “Twice Upon a Time” with my mother, who’s just one year younger than Moffat, and she actually appreciated those moments. She grew up watching the same era of television as Moffat did, and remembered just how pervasive and accepted those sexist attitudes and comments were. These types of comments were already outrageously outdated and caricaturish by the time I was watching television in the 90s. But they were the background radiation of the media my mom consumed at a young age – a poison in the foundation of our current media that we are still, generations later, trying to clear out. She felt it was important to have those moments called out for what they were, instead of letting them be swept away and forgotten.
And she felt that those moments perhaps revealed the endemic bigotry that kept a woman Doctor from being able to come forward earlier. Is it really believable that an alien time traveller would believe it is appropriate to spank a grown woman or would be befuddled by lesbians? No. Is it also believable that an alien capable of totally changing their physical appearance has only ever appeared as a white man? No. But did we really need to belabor the point and escalate the problematic comments? From my perspective, no.
Between three Doctors and two regenerations, we hardly have any time for Bill Potts, who makes a re-appearance to help urge the Doctor towards regenerating. Although it’s always a delight to have Pearl Mackie back on our screens, Bill is unfortunately not much more than a plot device in “Twice Upon a Time.” She’s used as a tool by the Testimony to either manipulate or understand the Doctor. She asks the right questions so the Doctors can provide us with exposition. And she’s there to put in the emotional labor to convince the Twelfth Doctor that he should regenerate. Bill does have moments of charm but … that’s it. Moments. In the end, nothing much has changed since “The Doctor Falls.” She still lacks a satisfying story arc that is wholly her own, and exists almost entirely to further the Doctor’s arc. It makes me long even more for the next season of Doctor Who, where a woman will be the lead protagonist and a woman of color will be one of her companions, and it will be much harder to make their stories center around white male characters.
But for the time being, this is still Peter Capaldi’s story, and I cannot begrudge him the incredible ending that he so justly deserved. The man who was introduced as the Doctor while holding his lapels in an imitation of Hartnell ends his tenure by encouraging the First Doctor towards regeneration. The man who began by creating a “darker, less user-friendly” Doctor lands on his defining ethos: “Be kind.”
There is fear and sadness here, too. Regenerating isn’t dying, but it is an ending, and both of the Doctors are afraid of what comes next. The First is afraid of who he might become. The Twelfth is afraid that he might never leave the battlefield. But they still get another chance at life — which is why it is so very fitting to put them up against a British Army Captain from WWI, who is facing a very real and very final death. He was resigned to his death, until the Doctors accidentally gave him hope. Now he’s had time to think about everything he will lose, and he is afraid.
But kindness underlies everything. The Doctor pushes time forward to save a stranger’s life, relying on the simple and yet extraordinary kindness two armies showed each other in the middle of a brutal war. That selfless act of kindness gives the First Doctor the courage and conviction to regenerate. The Testimony allows the Twelfth Doctor to see his companions one last time and restores his memories of Clara Oswald, giving him peace. But it is one more call for help, one more act of kindness, that finally convinces the Twelfth Doctor he must regenerate.
His final triumphant speech epitomized the Twelfth Doctor, and the man who played him. Peter Capaldi will be remembered above all for being one of the kindest, most generous actors to ever pilot the TARDIS. He understands intimately what it is like to be a fan of the show, and what the Doctor means to so many. He was generous with his time and went the extra mile to show his appreciation. And he never, ever gave a condescending answer to children. His final lines about how children can hear the Doctor’s name came directly from his answer to a young fan at an episode screening.
I’ll admit that I have never before cried at a Doctor’s regeneration. During Capaldi’s, I sobbed. Bill was right — the hardest part of knowing the Doctor is letting him go.
Enormous credit has to be given to Rachel Talalay for creating such a gorgeous episode. I feel like I say that every time I review one of her episodes, and yet it has never been more true. She faced such a variety of challenges in this episode, from faithfully recreating scenes from the 1966 story “The Tenth Planet” to a grim and damp WW1 battlefield, from spaceships and glass ladies to explosions galore. And never is an opportunity wasted to turn what could be a simple scene into a work of art. When the two Doctors first meet at the South Pole, the scene is infused with the shifting, changing blues and greens of the Aurora Australis. When the Twelfth Doctor is considering whether or not to regenerate, the sky is filled with a fading golden light.
And never has a regeneration been quite as incredible as Jodie Whittaker’s. Most regenerations are efficient – one Doctor burns or fades (or sneezes) into the next, and he plunges straight into a new adventure. But Whittaker is revealed in a mix of intimate glimpses and long, slow shots. We see her lit from behind, standing amongst smoke and light. We see her stumbling to see her own reflection, our first glimpse of regeneration from the Doctor’s perspective. Each scene, beautiful on its own, builds up our anticipation until we finally get our first full reveal of the Thirteenth Doctor. It’s a regeneration that will be remembered as being truly iconic.
Steven Moffat may never have cast a woman to play the Doctor himself, but he has been laying the groundwork within the narrative of the show for a woman Doctor for a very long time. And in an episode that could’ve been focused solely on memorializing Capaldi and Moffat’s time on the show, they both instead provided an incredible generous welcome to Jodie Whittaker.
“Twice Upon a Time” is, above all, a story about letting go. The First Doctor believes it is courageous to simply live and die as himself, but it is later revealed to be fear — and perhaps vanity and selfishness too. The viewers know, from seeing all the Doctors who have followed, that he has so much left to do. There are so many adventures to be had, planets to be saved, and friends waiting to be known. Things can’t end with the First Doctor.
But it’s not just the Doctor who needs to hear this —it’s the viewers too. We all have favorite eras and favorite Doctors, and that’s okay. But some fans go even further to say that the show should have ended after their favorite time or Doctor, as if because they got no enjoyment out of what followed that it held no value for anyone else. To end the story now, to deny all those stories that are waiting to be told, is selfishness.
Some are just nervous or afraid about what comes next. And that’s okay. I won’t deny I’m nervous about what the future holds too. But “Twice Upon a Time” has a message for us too — this is a chance worth taking. We wouldn’t have Peter Capaldi if someone didn’t take a chance on Patrick Troughton, or all the men who followed him.
Jodie Whittaker is a chance worth taking.
The Doctor has to grow and change, or the show will die. This is a change that brings the character forward into a new and exciting direction. This opens up a whole new universe of stories, and gives another wonderful actor a chance to define the role. And it gives a whole new generation of young girls and boys a new hero to look up to.
In one beautifully delightful moment, we get a glimpse of Jodie Whittaker and the Doctor she might be. And I cannot wait to see where we go from here.
It is great to read something about how it’s okay to be worried and uncertain about where we are going but clearly reminds us that this is why the show has survived. Change, my dear…
I too am uncertain and excited and confident and scared. I will miss Peter forever and am thrilled about Jodie.
No one can write flawlessly for every episode in what is demanded of this show – to invent and reinvent itself every week and every year – as no one can satisfy every audience, but I applaud Steven Moffat for how much genius he did create, and how much he cared to continue to make it amazing. And I thank him for giving me incredible opportunities and words (and fixing my mistakes).
I often tell students: ‘what we do is hard’. No one sets out to make bad content. We make mistakes, we experiment, we fail and in amazing moments, we succeed.
Be excited. Be open. Be kind.
http://ift.tt/2CtMkGq
from Tumblr http://ift.tt/2DzSGDi
via IFTTT
